A bit messy, this.
<em>'Moonfall'</em> is actually good in areas that I was expecting it to be bad in and bad in areas I thought it might've been good in. I had caught one of the trailers - at the cinema for a different film - and didn't hold high hopes for it, especially with the <em>'<a href="https://letterboxd.com/film/dont-look-up-2021/" rel="nofollow">Don't Look Up</a>'</em> similarity, though thought the humour/silliness might carry it over the line.
Yet, the humour is poor and it's in fact the more serious elements that come to the fore. I honestly enjoyed the sci-fi bits of it and the more dramatic stuff. The comedy is very lame, I don't think I even smirked once to be honest. They should've just played it totally straight, in my opinion anyway. The special effects, meanwhile, are a positive.
The cast, when not comedic, work fairly well together. Halle Berry, John Bradley - who may be at the front of the limp jokes but he as an actor is likeable enough that I didn't dislike him at all - and Patrick Wilson - who I always forget the name of, I was literally trying to recall him throughout the film and I still didn't crack it - are a solid trio when serious. The support cast, spearheaded by Michael Peña, are meh.
Unfortunately it's a 6/10 rating from me. I do like disaster movies - <em>'<a href="https://letterboxd.com/film/2012/" rel="nofollow">2012</a>'</em>, Roland Emmerich's best, is great - but this one fell short; particularly towards the end. I wouldn't, personally, say it's as bad as that average rating chart suggests, but to each their own of course.
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"Moonfall is as insanely nonsensical as one could hope/expect, but it's the lack of entertaining sequences for most of the runtime that brings the film down. The balance between the different, simultaneous action set pieces suffers immensely due to the underdeveloped, bland characters, and the incoherent, messy editing work doesn't help.
Disaster movies always ask for suspension of disbelief, but Roland Emmerich really stretches the absurdity levels by co-writing one of the most scientifically ridiculous screenplays in the history of cinema - the third act revelations are genuinely jaw-dropping.
A surprisingly dull disaster flick across the board, whether it's about the story, action, or even the performances."
Rating: D-
