Deerskin

Deerskin

2019-06-19 1h 17m
Comedy Horror
6.5
User Score
736 votes

"Killer. Style."

Overview

A man's obsession with owning the designer deerskin jacket of his dreams leads him to turn his back on his humdrum life in the suburbs, blow his life savings, and even turn him to crime.

Quentin Dupieux

Director

Quentin Dupieux

Writer

Top Billed Cast

Movie Details

Status

Released

Original Language

fr

Budget

$N/A

Revenue

$1,686,700

Runtime

1h 17m

Release Date

2019-06-19

Recommendations

Reviews

SWITCH.

SWITCH.

2020-08-02T23:10:46.054Z

If you only have time to watch one bizarre French horror-comedy about a guy and the jacket that seems to hold an extreme power over his mind, 'Deerskin' is it. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-deerskin-hilarious-and-horrific

Tejas Nair

Tejas Nair

2020-09-27T09:14:24.331Z

In a role that was made for Jean Dujardin, he acts like he has been doing this for a long time. By 'this' I mean executing an eccentric project that is about to take over his life and muddle his relationship with the world. And by 'the world' I mean the sorry village that his Georges character travels to after buying a vintage jacket made of 100% deerskin which also marks his obsession with it, something that both induces laughter in its audience and also highlights the crazy, primal nature of obsessive compulsion characterized by depression, loneliness, and unconditional enmity against the humankind. I have no words to describe the virulent turn Le daim (Deerskin) takes as Georges laughingly has his way by conspiring with himself to take forward his obsession with his deerskin jacket, which I should add is 'killer style' in his own words. Whether it is the inflated price that he pays for the second-hand jacket or the newfound skill of videography or mistaking a film editor with a creditor, Le daim has been written in a way that is guaranteed to make you laugh every five minutes. The outlandish plot, accentuated by terrific performances by Dujardin and Adele Haenel (who acts with her face and that's enough) and also by the peculiar style of referral writing (where the aftermath of an event in a scene is shown in the following one or the one after that) by director-writer Quentin Dupieux makes this comedy crime drama a blast experience. I can't recommend it more and I am definitely going to be watching more of Dupieux's work. Bravo! TN. (Watched and reviewed at its India premiere at the 21st MAMI Mumbai Film Festival.)